Archive for May, 2010

The spy from Cairo – “Remix the earth I wanna get off”

Friday, May 28th, 2010

I was listening to a remix CD called “Remix the earth – I wanna get off” today.

Produced by Zeb Visini or “The spy from Cairo” as he likes to call himself these

days. Its really great stuff – funky oud playing and great beats in sweet harmony.

You can get the album/EP here

Here is what Douglas Heselgrave writes about him and his latest album “Secretly Famous”. 

For those seeking clarity or a doorway into the world of Middle Eastern music, The Spy from Cairo’s  album Secretly Famous will be greeted as a godsend. For the more uninitiated who have only a fleeting knowledge of the rhythms, cadences, time signatures and ineffable qualities of songs from this region, the music will still remain challenging, but one could not ask for a better guide than Moreno Visini – the artist formerly known as Zeb and currently recording as the Spy from Cairo – to usher us through the world of contemporary and traditional Islamic melody. The title of the album, Secretly Famous is most certainly an in joke referring to the fact that as The Spy From Cairo or Zeb  Visini,  has written hundreds of songs and produced more than ten albums over the past dozen or so years, yet he is still hardly a household name outside of DJ music circles. In addition to creating his own music, he is in a constant demand as a remix artist who in the past few years has gloriously fractured and expanded songs by musicians as diverse as a Billy Holiday, Baba Maal, Astor Piazolla and Novalima.

With Secretly Famous, The Spy from Cairo has woven together a dossier of songs that encompass many of the musical styles of the Middle East including those from African and Bedouin culture in an album that miraculously finds a way to sound cohesive in its diversity. As different as many of the cuts are from one another, under The Spy from Cairo’s curatorial hand, it’s very easy to hear a common melodic thread running through the endeavor.

The fact that Visini is not only a normal DJ, but also a talented musician, helps maintain the album’s great sense of unity. Not content to simply twirl knobs and add beats, he turns his talented hands to contribute more than credible efforts on a variety of instruments including the oud, chifteli, bass and moog synthesizer. The gifted Tunisian singer Galia Benali also appears throughout the album, adding her heartbreakingly lovely vocals to three of Secretly Famous’ best songs. Worth special mention is Ana Arabi, a song that she both wrote and sang that enjoins her listeners to understand that every Arab is not a terrorist.

Some of the songs features very straight ahead readings of traditional music fare. Tracks like ‘Nayphony’, ‘Kurdish Delight’ and ‘Leila’ make such understated use of some nice dubby effects and beats that they wouldn’t sound out of place in a collection of conventional Arab music. Yet, to say that Visini — as producer — simply stood aside during these songs and let the musicians play would do a disservice to the importance of his contributions. On each of these numbers, he carefully constructs backing beats and shifts the volume levels to emphasize certain elements of the tracks that fall within most listeners’ comfort level. In short, he allows listeners to identify similarities between the Jordanian, Kurdish and Egyptian sources with other musical styles such as reggae, funk and disco. The effect is to make the songs sound both familiar and challenging. Only a great  musician with such a thorough knowledge of music from that speciel region could make such auditory leaps sound so credible while still remaining very musically vital.

As someone who has long admired classical oud music, not surprisingly I was initially most drawn to songs like ‘Sufi Disco’, ‘Oud Funk’ and “Ala Shan’ which prominently feature the instrument. Of these, ‘Oud Funk’ is the most traditional sounding track, and to my ears is reminiscent of the Algerian Rai sounds popularized by Khaled. ‘Sufi Disco’ is very trance inducing and features a wonderful conversation between a bamboo flute and oud to lull listeners into a reflective state while ‘Ala Shan’ is a remix of a traditional song filtered through Studio One dub inflections and aesthetics.

The Spy from Cairo rounds off his excursion through Arab soundscapes by checking into how the music has been interpreted by those living in the Balkans, Africa and India. ‘Blood and Honey’ explores the juxtaposition between the allure of the beautiful Balkan countryside with the unfortunate history of war that has plagued the region in a powerful song once again sung by Galia Benali. Lighter and more uplifting are ‘Kembe’ — another oud dominated song delivered in a Bedouin style that should have fans of Tinariwen rocking in their seats – and ‘Indian Rope Trick’ a vocal and sitar duet that brings this exceptional collection of songs to a close.

In the very end, not hat  many people may have the chance to hear Secretly Famous, and that would be too bad. There is no question of the musical value of the material that The Spy from Cairo presents here. It is more that western culture has not yet opened the door and shown itself ready to assimilate these types of songs, and Visini may unfortunately find himself preaching to the converted. He has certainly done a wonderful job of arranging the songs on Secretly Famous in a way that maintains his musical integrity and is designed to appeal to the larger culture at the same time. The Spy from Cairo is both tricky and smart, and the deep espionage he’s undertaken here should be rewarded. He’s taken on the embedded resistance to this music and thenperformed a profound kind of subterfuge and melodic stealth that in a perfect world should gain him legions of fans. He has neither sold out to the dance floor, nor has he recorded museum music to be argued over by dusty academics on the library steps. These songs are very vital, thrilling and blessed with a pulse that can take listeners on a journey through the centuries to come up with an album that’s as good as almost anything being recorded on the planet today. (Courtesy Douglas Heselgrave)

 

<a href=”http://www.ganga.dk”>Ganga – Downbeat / Chill Out Music</a>

 

http://www.ganga.dk

http://www.flincmusic.com

http://www.myspace.com/gangalounge

http://www.youtube.com/gangalounge

http://www.last.fm/music/Ganga

http://www.ilike.com/artist/Ganga

http://www.gangamusic.info

http://www.bandbase.dk/ganga

http://www.reverbnation.com/ganga

Ping Trace on Terraform Records

Friday, May 21st, 2010

Electronic trio Ping Trace is on the stereo right now here in my sunny studio in Copenhagen. Pleasantly chilling along in a techi way that may go down well in many a downtempo/uptempo DJ set.

The single “We Are Human” is by electronic music trio Ping Trace. Ping Trace consists of Sven, Lynnae Rome, and Jeremy Golden; two DJs and a vocalist focused on high-quality electronic sound-scapes filled with catchy melodies and a lush, chilled production style. Their previous, self-released  EP “Traces”,  received some good attention and airplay around the globe inspiring the label Terraform to sign the trio to the label.

Ping Trace’s first Terraform single, “We Are Human,” is a sleek slice of rolling deep house accentuated by Lynnae Rome’s  nice vocals and layered, evocative instrumentation. The original is backed by a techier remix from Stockholm’s Håkan Lidbo, a producer who has been described as “one of the most prolific tech-house producers on the planet.” Håkan Lidbo’s melodic take expands “We Are Human” outward, pulsating with arpeggios and synth-lines anchored by a steady house rhythm. . His impressive portfolio includes collaborations with a myriad of respected artists, notably Depeche Mode, with a remix of “Peace” in 2009 and countless other very experimental tracks.

You can listen to the pre-release here 

http://www.ganga.dk

http://www.flincmusic.com

http://www.myspace.com/gangalounge

http://www.youtube.com/gangalounge

http://www.last.fm/music/Ganga

http://www.ilike.com/artist/Ganga

http://www.gangamusic.info

http://www.bandbase.dk/ganga

http://www.reverbnation.com/ganga

Album from Crablab (aka SpaceKundun) – “Penzjina”

Friday, May 14th, 2010

Crablab  presents a new artist EP album of Alexander Gaas, popular Dutch producer  also known under Space Kundun moniker. The man behind the project Crablab  represents the spirit of the very fertile progressive scene of the Netherlands. Penzjina, is Crablab’s latest development. He fuses together Progressive Trance and Electro house with influences from a variety of music sources, Minimal, IDM,Rock n’ Roll, Funk and much more. Creating unique atmospheres using analogue synthesizers with a high   tech approach. Dominant bass lines, entoxicating melodies and stable grooves. That designates Crablab’s trademark sound as we know it. 

Known for his deep emotional electronic music, Russian born Alexander Gaas now produces his hypnotic grooves from Amsterdam, Netherlands. He started as an underground DJ for goa and psytrance parties around Israel. A renown resident dj for Grasshopper in Haifa, where he spins psychill and ambient tunes. Space Kundun was born as his alter-ego during his audio studies in SAE Amsterdam (School of Audio Engineers).

Space Kundun delivers an  exciting mixture of exclusive loops, melodies, live instruments, drum patterns and textured layers of down-tempo, breakbeat, psychill and IDM.

In 2006 he released his first EP “Hura” via his own label Highlands Music. “Mind Mirror” emerged in 2007 and “The river of dreams” consecutively in 2010. 

“Penzjina” is a nice mixture of electronic music, an eclectic groovey fusion of electronic soundsources always held together by a tight beat and a steady bassline. 

 Listen here 

<a href=”http://www.ganga.dk”>Ganga – Downbeat / Chill Out Music</a> 

http://www.ganga.dk

http://www.flincmusic.com

http://www.myspace.com/gangalounge

http://www.youtube.com/gangalounge

http://www.last.fm/music/Ganga

http://www.ilike.com/artist/Ganga

http://www.gangamusic.info

http://www.bandbase.dk/ganga

http://www.reverbnation.com/ganga

Zagar from Hungary makes great noise.

Friday, May 7th, 2010

Zagar from Hungary merges funky Rhodes, physcedelic rock, electro, opera
and electronica into their own steaming meltingpot.
Its quite unique and refreshing – I love those rhodes themes and rock drums, but also the spacier passages are very good. There is even a hint of U2 in there – The Edge on a funky electronic tip so to say. Check it out here.

As part of the burgeoning Eastern European electronica scene, Hungarian band Zagar started out as three-fifth of the Yonderboi Quintet. After a few years and a lot of critical success, they round out a new group lead by the keyboardist Balazs Zsager. The newer sound somewhat more experimental and tough much of the aesthetic is complementary. After a hugely successful debut album, Local Broadcast, the band shifted into some soundtrack territory. They has branched into further soundtrack scoring opportunities, most notably in the American CSI series. They were nominated for the Best Local Act in the MTV Music Awards 2009. The band performs live as a 5 piece featuring guest vocalist. Zagar were also supporting Depeche Mode at the Budapest leg of the Tour of the Universe 2009. This summer they have gigs in Germany, Austria, Russia, Finland and Czech Republic.

On their latest album they mix psychedelic rock, dub and hip-hop with cosmic electronic tunes while sometimes using church choir elements and quotes from movies to merge the past and the future in a surrealistic way. The concept of the album is a kind of exodus from the stereotypes of cosmopolitan urban living, delving into the mysteries of the 21st Century Man.
A couple of tracks featuring George Ligeti – Alan McGee’s favourite singer. The single hit “Wings of Love”, features The Underground Divas – six Hungarian independent singers – and earned heavy radio airplay and secured a no1. spot on MTV’s video chart in Hungary.
They actually won the second prize in the International Songwriting Competition (judged by Tom Waits, Robert Smith, Nelly Furtado, Tiesto).

Listen and watch here

http://www.ganga.dk
http://www.flincmusic.com
http://www.myspace.com/gangalounge
http://www.youtube.com/gangalounge
http://www.last.fm/music/Ganga
http://www.ilike.com/artist/Ganga
http://www.gangamusic.info
http://www.bandbase.dk/ganga
http://www.reverbnation.com/ganga